30 September 2014, this blog is about writing in scenes. I’m focusing on the tools to build scenes. I’ll leave up the parts of a novel because I think this is an important picture for any novelist. I’m writing about the climax.
1. The beginning
2. The rising action
3. The Climax
4. The falling action
5. The dénouement
Announcement: By the time you read this, I suspect my series novels, Ancient Light will be published. Ancient Light includes Aegypt, Sister of Light and Sister of Darkness. If you are interested in historical/suspense literature, please give my novels a try. You can read about them at http://www.ancientlight.com. I’ll keep you updated.
Today’s Blog: The skill of using language in a large degree comes from the ability to put together figures of speech that act as symbols in writing.
Here are my rules of writing:
1. Entertain your readers.
2. Don’t confuse your readers.
3. Ground your readers in the writing.
4. Don’t show (or tell) everything.
5. Immerse yourself in the world of your writing.
I didn’t label most of these paragraphs on writing properly as climax. Sorry, I’ll try to be more attentive.
The theme statement for the novel I am currently writing would go something like this: a math genius girl is made a kami and her friend her Kannushi. This is an incomplete theme statement–if I could complete the theme statement, I could resolve the climax.
For this novel, computers and programming could provide the punch necessary for the climax. In addition, I present Lilly (the math genius girl) as an abused and impoverished person. That might also provide the punch necessary for a good climax. Let’s talk a little about what a climax should and shouldn’t be. I’ll get more in depth in the next post, but this is a very important question–it means the difference between a fizzle and a bang in the development and expression of the climax.
I’ll write more tomorrow.
For more information, you can visit my author site www.ldalford.com/, and my individual novel websites: