Writing—So You Want to be a Writer, How is a Novel Written? My Novel Writing Plan, Rising Action Sequential Scenes more Example

14 July 2018, this blog is about writing in scenes.  I’m focusing on the tools to build scenes.  I’ll leave up the parts of a novel because I think this is an important picture for any novelist.  I’m writing about how to begin and write a novel.

  1. The initial scene
  2. The rising action
  3. The Climax
  4. The falling action
  5. The dénouement

Announcement:   I need a new publisher.  Ancient Light has been delayed due to the economy, and it may not be published.  Ancient Light includes Aegypt, Sister of Light and Sister of Darkness.  If you are interested in historical/suspense literature, please give my novels a try.  You can read about them at http://www.ancientlight.com.  I’ll keep you updated.

Today’s Blog: The skill of using language comes from the ability to put together figures of speech that act as symbols in writing.

Short digression:  back in the USA.

Here are my rules of writing:

  1. Entertain your readers.
  2. Don’t confuse your readers.
  3. Ground your readers in the writing.
  4. Don’t show (or tell) everything.

4a. Show what can be seen, heard, felt, smelled, and tasted on the stage of the novel.

  1. Immerse yourself in the world of your writing.

 

Creativity is the extrapolation of older ideas to form new ones or to present old ideas in a new form.  It is a reflection of something new created with ties to the history, science, and logic (the intellect).  Creativity requires consuming, thinking, and producing.

Scene development:

Here is the beginning of the scene development method from the outline:

 

  1. Scene input (comes from the previous scene output or is an initial scene)
  2. Write the scene setting (place, time, stuff, and characters)
  3. Imagine the output, creative elements, plot, telic flaw resolution (climax) and develop the tension and release.
  4. Write the scene using the output and creative elements to build the tension.
  5. Write the release
  6. Write the kicker

 

First step of writing—enjoy writing.  Writing is a chore—especially if you don’t know what you are doing, and you don’t know where you are going.  Let me help you with that.

 

How do we gain the skills to write well?  Let’s begin with reading.  Reading allows us to understand the following:

 

  1. What a novel is.
  2. How a novel is constructed.
  3. How a novel is entertaining.
  4. How a novel is written.
  5. How novels have evolved.
  6. Different genre in novels.

 

If we understand what makes a novel entertaining, we can move on to how a novel is written.

 

This idea incorporates significant concepts about writing.  First of all, the author must be a skilled reader.  Second, the author must be a skilled writer.  Third, the author must have an idea.  Forth, the author must have the discipline to write a novel.

 

The next step is the discipline to write.  Part of that is motivation to write.  My motivation comes with a creative idea.

 

So, this is what I need to write about again for you: scenes and the writing plan for a novel.  Novels are written in scenes.  Therefore, if you want to write a novel, you need to be able to write good scenes, and you need a plan to write your novel’s scenes.

 

This is a scene outline:

  1. The initial scene.
  2. The rising action scenes.
  3. The climax scene.
  4. The falling action scene(s).
  5. The dénouement scene(s).

 

If you fully realize, the rising action scenes provide the necessary revelation of the protagonist and specifically the resolution of each element that leads to the telic flaw resolution.  This gets very complicated—let’s try to figure out how this might work.

 

I write and I recommend writing using sequential scenes.  I’ll use Blue Rose Enchantment and the Detective as an example.

 

I would like to write that all scenes are written input to output—I believe this is generally true, and I can’t provide anything to refute it.  I do know that sequential scenes are always written input to output.  I also know my scenes are written in almost every case input to output.  There are a few scenes which can be interspersed with normal sequential scenes, especially those that don’t include the protagonist, which might be argued are not sequential scenes, however, if you look at them closely, they are still governed by an input and an output.  The only difference is that the input and the output might overlap protagonist scenes in sequential sequence.  These types of scenes are rare, but sometimes very useful.

 

Back to input output in scenes.  The protagonist is usually in every scene.  This makes sequential scenes a preferred means of writing.  You don’t confuse your readers, and you don’t confuse yourself.  See my rule for writing above.

 

The major point is that sequential scenes lead to this natural input output sequence in the scenes.  I will get to what is in the scenes eventually, for now, let’s just focus on input and output.

 

You could safely and happily outline the inputs and outputs to your scenes in the rising action.  I think this would be a great idea.  You might find your plan digressing as you write, but that’s okay—a plan is better than nothing.  I find the inputs and outputs of the scenes are enough so my outline is in my head.  It slowly becomes clearer with each scene.

 

Back to Azure.

 

I’ll write more tomorrow.

For more information, you can visit my author site www.ldalford.com/, and my individual novel websites:

http://www.ancientlight.com

www.aegyptnovel.com

http://www.sisteroflight.com

http://www.sisterofdarkness.com

www.centurionnovel.com

www.thesecondmission.com

www.theendofhonor.com

www.thefoxshonor.com

www.aseasonofhonor.com

fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic

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About L.D. Alford

L. D. Alford is a novelist whose writing explores with originality those cultures and societies we think we already know. His writing distinctively develops the connections between present events and history—he combines them with threads of reality that bring the past alive. L. D. Alford is familiar with technology and cultures—he is widely traveled and earned a B.S. in Chemistry from Pacific Lutheran University, an M.S. in Mechanical Engineering from Boston University, a Ph.D. in Aerospace Engineering from The University of Dayton, and is a graduate of Air War College, Air Command and Staff College, and the USAF Test Pilot School. L. D. Alford is an author who combines intimate scientific and cultural knowledge into fiction worlds that breathe reality. He is the author of three historical fiction novels: Centurion, Aegypt, and The Second Mission, and three science fiction novels: The End of Honor, The Fox’s Honor, and A Season of Honor.
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