16 July 2018, this blog is about writing in scenes. I’m focusing on the tools to build scenes. I’ll leave up the parts of a novel because I think this is an important picture for any novelist. I’m writing about how to begin and write a novel.
- The initial scene
- The rising action
- The Climax
- The falling action
- The dénouement
Announcement: I need a new publisher. Ancient Light has been delayed due to the economy, and it may not be published. Ancient Light includes Aegypt, Sister of Light and Sister of Darkness. If you are interested in historical/suspense literature, please give my novels a try. You can read about them at http://www.ancientlight.com. I’ll keep you updated.
Today’s Blog: The skill of using language comes from the ability to put together figures of speech that act as symbols in writing.
Short digression: back in the USA.
Here are my rules of writing:
- Entertain your readers.
- Don’t confuse your readers.
- Ground your readers in the writing.
- Don’t show (or tell) everything.
4a. Show what can be seen, heard, felt, smelled, and tasted on the stage of the novel.
- Immerse yourself in the world of your writing.
Creativity is the extrapolation of older ideas to form new ones or to present old ideas in a new form. It is a reflection of something new created with ties to the history, science, and logic (the intellect). Creativity requires consuming, thinking, and producing.
Here is the beginning of the scene development method from the outline:
- Scene input (comes from the previous scene output or is an initial scene)
- Write the scene setting (place, time, stuff, and characters)
- Imagine the output, creative elements, plot, telic flaw resolution (climax) and develop the tension and release.
- Write the scene using the output and creative elements to build the tension.
- Write the release
- Write the kicker
First step of writing—enjoy writing. Writing is a chore—especially if you don’t know what you are doing, and you don’t know where you are going. Let me help you with that.
How do we gain the skills to write well? Let’s begin with reading. Reading allows us to understand the following:
- What a novel is.
- How a novel is constructed.
- How a novel is entertaining.
- How a novel is written.
- How novels have evolved.
- Different genre in novels.
If we understand what makes a novel entertaining, we can move on to how a novel is written.
This idea incorporates significant concepts about writing. First of all, the author must be a skilled reader. Second, the author must be a skilled writer. Third, the author must have an idea. Forth, the author must have the discipline to write a novel.
The next step is the discipline to write. Part of that is motivation to write. My motivation comes with a creative idea.
So, this is what I need to write about again for you: scenes and the writing plan for a novel. Novels are written in scenes. Therefore, if you want to write a novel, you need to be able to write good scenes, and you need a plan to write your novel’s scenes.
This is a scene outline:
- The initial scene.
- The rising action scenes.
- The climax scene.
- The falling action scene(s).
- The dénouement scene(s).
If you fully realize, the rising action scenes provide the necessary revelation of the protagonist and specifically the resolution of each element that leads to the telic flaw resolution. This gets very complicated—let’s try to figure out how this might work.
I write and I recommend writing using sequential scenes. I’ll use Blue Rose Enchantment and the Detective as an example.
The development of scenes is usually sequential, but many if not most novel writers don’t fully comprehend this point. As I’ve stated scenes move from input to output—this is what I call sequential scenes. Let’s think about the opposite, non-sequential scenes.
Have you ever read a novel where the scenes seemed to skip all over the place and you kind of got lost from one scene or chapter to the next? This is an indication of an author not fully understanding the concept of sequential scenes. The publisher and editor didn’t help much either.
If you notice rule number two above: don’t confuse your readers. When scenes jump all over the place, you will confuse your readers. Most publishers and editors will jump on this like fleas on a dog—if they accept your novel at all.
Novels are generally sequential in time and from place to place. They don’t usually happen in moving around or different times and in the same places at the same time. Thus, it isn’t asking very much for the author to apply the same logic to the novel that is in the world.
Yeah, yeah, I know there are experimental novels out there that are attempting different types of time and space relationships, but does anyone really buy and read them? I don’t. I want a great entertaining novel and no experimentation. I’m reading to enjoy the reading not to figure out a mental puzzle of how to read the novel in the first place.
Thus, novels are and should be seen as sequential. The power of the sequential novel in time and space is enormous. I’ll tell you why.
I’ll write more tomorrow.
For more information, you can visit my author site www.ldalford.com/, and my individual novel websites:
fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic