18 July 2018, this blog is about writing in scenes. I’m focusing on the tools to build scenes. I’ll leave up the parts of a novel because I think this is an important picture for any novelist. I’m writing about how to begin and write a novel.
- The initial scene
- The rising action
- The Climax
- The falling action
- The dénouement
Announcement: I need a new publisher. Ancient Light has been delayed due to the economy, and it may not be published. Ancient Light includes Aegypt, Sister of Light and Sister of Darkness. If you are interested in historical/suspense literature, please give my novels a try. You can read about them at http://www.ancientlight.com. I’ll keep you updated.
Today’s Blog: The skill of using language comes from the ability to put together figures of speech that act as symbols in writing.
Short digression: back in the USA.
Here are my rules of writing:
- Entertain your readers.
- Don’t confuse your readers.
- Ground your readers in the writing.
- Don’t show (or tell) everything.
4a. Show what can be seen, heard, felt, smelled, and tasted on the stage of the novel.
- Immerse yourself in the world of your writing.
Creativity is the extrapolation of older ideas to form new ones or to present old ideas in a new form. It is a reflection of something new created with ties to the history, science, and logic (the intellect). Creativity requires consuming, thinking, and producing.
Here is the beginning of the scene development method from the outline:
- Scene input (comes from the previous scene output or is an initial scene)
- Write the scene setting (place, time, stuff, and characters)
- Imagine the output, creative elements, plot, telic flaw resolution (climax) and develop the tension and release.
- Write the scene using the output and creative elements to build the tension.
- Write the release
- Write the kicker
First step of writing—enjoy writing. Writing is a chore—especially if you don’t know what you are doing, and you don’t know where you are going. Let me help you with that.
How do we gain the skills to write well? Let’s begin with reading. Reading allows us to understand the following:
- What a novel is.
- How a novel is constructed.
- How a novel is entertaining.
- How a novel is written.
- How novels have evolved.
- Different genre in novels.
If we understand what makes a novel entertaining, we can move on to how a novel is written.
This idea incorporates significant concepts about writing. First of all, the author must be a skilled reader. Second, the author must be a skilled writer. Third, the author must have an idea. Forth, the author must have the discipline to write a novel.
The next step is the discipline to write. Part of that is motivation to write. My motivation comes with a creative idea.
So, this is what I need to write about again for you: scenes and the writing plan for a novel. Novels are written in scenes. Therefore, if you want to write a novel, you need to be able to write good scenes, and you need a plan to write your novel’s scenes.
This is a scene outline:
- The initial scene.
- The rising action scenes.
- The climax scene.
- The falling action scene(s).
- The dénouement scene(s).
If you fully realize, the rising action scenes provide the necessary revelation of the protagonist and specifically the resolution of each element that leads to the telic flaw resolution. This gets very complicated—let’s try to figure out how this might work.
I write and I recommend writing using sequential scenes. I’ll use Blue Rose Enchantment and the Detective as an example.
- Has your protagonist ever needed a certain skill to solve a particularly difficult plot problem?
- Have you needed a critical connection or an important event to precede another event in the plot?
- How about a particularly fateful encounter or meeting to prevent a Deus ex Machina.
- In fact, how about them Deus ex—ever had a situation appear to be one or tried to get rid of one?
This is simple and this is basic writing 101. I write a scene in the novel and discover that to make everything work out, I needed a previous intersection of characters, events, or circumstances. Let me give you an example. Azure Rose is a stupendous golfer, and I want her to be chosen by the golf coach for the Wycombe Abbey team because she gets more scholarship money and because this is a setup for future scenes in the novel. How do I convey Azure’s skills as a golfer plus her connection in golf with the headmistress? Have them play a round, of course.
I find I need a scene to introduce Azure’s golf skills and connection in golf with the headmistress, so I write one. Do you see the power of this? Many writers don’t realize how unconstrained writing is. If you missed a certain scene or need a certain connection, just go back and write it in.
When I am writing and reviewing my works, this is exactly what I do. I keep notes to myself: write a scene in chapter X that has Azure play a round of golf with YYYY, and have them bet on the game.
Any time you find you need a tweak, a scene, a fix, all you have to do is write it or plan to write it. A novel isn’t complete until all the loose ends are tied up. This doesn’t mean that every mystery, question, and issue is resolved—this means that every questionable connection, mystery, question, and issue makes sense in the context of the work.
I’ll write more tomorrow.
For more information, you can visit my author site www.ldalford.com/, and my individual novel websites:
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