25 July 2018, this blog is about writing in scenes. I’m focusing on the tools to build scenes. I’ll leave up the parts of a novel because I think this is an important picture for any novelist. I’m writing about how to begin and write a novel.
- The initial scene
- The rising action
- The Climax
- The falling action
- The dénouement
Announcement: I need a new publisher. Ancient Light has been delayed due to the economy, and it may not be published. Ancient Light includes Aegypt, Sister of Light and Sister of Darkness. If you are interested in historical/suspense literature, please give my novels a try. You can read about them at http://www.ancientlight.com. I’ll keep you updated.
Today’s Blog: The skill of using language comes from the ability to put together figures of speech that act as symbols in writing.
Short digression: back in the USA.
Here are my rules of writing:
- Entertain your readers.
- Don’t confuse your readers.
- Ground your readers in the writing.
- Don’t show (or tell) everything.
4a. Show what can be seen, heard, felt, smelled, and tasted on the stage of the novel.
- Immerse yourself in the world of your writing.
Creativity is the extrapolation of older ideas to form new ones or to present old ideas in a new form. It is a reflection of something new created with ties to the history, science, and logic (the intellect). Creativity requires consuming, thinking, and producing.
Here is the beginning of the scene development method from the outline:
- Scene input (comes from the previous scene output or is an initial scene)
- Write the scene setting (place, time, stuff, and characters)
- Imagine the output, creative elements, plot, telic flaw resolution (climax) and develop the tension and release.
- Write the scene using the output and creative elements to build the tension.
- Write the release
- Write the kicker
First step of writing—enjoy writing. Writing is a chore—especially if you don’t know what you are doing, and you don’t know where you are going. Let me help you with that.
How do we gain the skills to write well? Let’s begin with reading. Reading allows us to understand the following:
- What a novel is.
- How a novel is constructed.
- How a novel is entertaining.
- How a novel is written.
- How novels have evolved.
- Different genre in novels.
If we understand what makes a novel entertaining, we can move on to how a novel is written.
This idea incorporates significant concepts about writing. First of all, the author must be a skilled reader. Second, the author must be a skilled writer. Third, the author must have an idea. Forth, the author must have the discipline to write a novel.
The next step is the discipline to write. Part of that is motivation to write. My motivation comes with a creative idea.
So, this is what I need to write about again for you: scenes and the writing plan for a novel. Novels are written in scenes. Therefore, if you want to write a novel, you need to be able to write good scenes, and you need a plan to write your novel’s scenes.
This is a scene outline:
- The initial scene.
- The rising action scenes.
- The climax scene.
- The falling action scene(s).
- The dénouement scene(s).
Comedies don’t work like tragedies. In a tragedy, the protagonist (and many times everyone else) dies, and this resolves the telic flaw. On the other hand, this is not how comedies work, and I think, the Greeks quickly figured out that comedies are much more complex and difficult to resolve.
A comedy is much more difficult to resolve than a tragedy because the problem must be resolved in the climax. You can’t get away with just killing the main characters. The telic flaw must be resolved in a comedy. In a tragedy, the death of the protagonist resolves the telic flaw because the protagonist could not overcome it.
I know this is a little tricky to fully comprehend. In any case, just by the definitions of a tragedy and a comedy, these differences should be obvious. What isn’t obvious is how a comedy must be resolved.
In ancient and early literature, the resolution of the comedy was relatively simple and straightforward. The protagonist won the war, got the girl, and went home happy. This probably worked for a couple of seasons in the Greek yearly cycle of religious plays, and then they went back to tragedies. The Greek plays were part of their religious festivals and citizens competed to write a play which would then be presented during those festivals.
The problem with comedies is everyone likes them, but like the tragedy, the resolution of the comedy is predictable. That was the problem the Greeks had to tackle—just as we must. This is why they are more complex and difficult to properly resolve.
I’ll write more tomorrow.
For more information, you can visit my author site www.ldalford.com/, and my individual novel websites:
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