Writing—So You Want to be a Writer, How is a Novel Written? Novel Writing Plan, Still Planning a Climax

26 July 2018, this blog is about writing in scenes.  I’m focusing on the tools to build scenes.  I’ll leave up the parts of a novel because I think this is an important picture for any novelist.  I’m writing about how to begin and write a novel.

  1. The initial scene
  2. The rising action
  3. The Climax
  4. The falling action
  5. The dénouement

Announcement:   I need a new publisher.  Ancient Light has been delayed due to the economy, and it may not be published.  Ancient Light includes Aegypt, Sister of Light and Sister of Darkness.  If you are interested in historical/suspense literature, please give my novels a try.  You can read about them at http://www.ancientlight.com.  I’ll keep you updated.

Today’s Blog: The skill of using language comes from the ability to put together figures of speech that act as symbols in writing.

Short digression:  back in the USA.

Here are my rules of writing:

  1. Entertain your readers.
  2. Don’t confuse your readers.
  3. Ground your readers in the writing.
  4. Don’t show (or tell) everything.

4a. Show what can be seen, heard, felt, smelled, and tasted on the stage of the novel.

  1. Immerse yourself in the world of your writing.

 

Creativity is the extrapolation of older ideas to form new ones or to present old ideas in a new form.  It is a reflection of something new created with ties to the history, science, and logic (the intellect).  Creativity requires consuming, thinking, and producing.

Scene development:

Here is the beginning of the scene development method from the outline:

 

  1. Scene input (comes from the previous scene output or is an initial scene)
  2. Write the scene setting (place, time, stuff, and characters)
  3. Imagine the output, creative elements, plot, telic flaw resolution (climax) and develop the tension and release.
  4. Write the scene using the output and creative elements to build the tension.
  5. Write the release
  6. Write the kicker

 

First step of writing—enjoy writing.  Writing is a chore—especially if you don’t know what you are doing, and you don’t know where you are going.  Let me help you with that.

 

How do we gain the skills to write well?  Let’s begin with reading.  Reading allows us to understand the following:

 

  1. What a novel is.
  2. How a novel is constructed.
  3. How a novel is entertaining.
  4. How a novel is written.
  5. How novels have evolved.
  6. Different genre in novels.

 

If we understand what makes a novel entertaining, we can move on to how a novel is written.

 

This idea incorporates significant concepts about writing.  First of all, the author must be a skilled reader.  Second, the author must be a skilled writer.  Third, the author must have an idea.  Forth, the author must have the discipline to write a novel.

 

The next step is the discipline to write.  Part of that is motivation to write.  My motivation comes with a creative idea.

 

So, this is what I need to write about again for you: scenes and the writing plan for a novel.  Novels are written in scenes.  Therefore, if you want to write a novel, you need to be able to write good scenes, and you need a plan to write your novel’s scenes.

 

This is a scene outline:

  1. The initial scene.
  2. The rising action scenes.
  3. The climax scene.
  4. The falling action scene(s).
  5. The dénouement scene(s).

 

Just as Aristotle wrote (that’s the Greek guy), every novel has a telic flaw and this telic flaw is a characteristic of the protagonist that must be resolved in the plot.  Rather, the telic flaw is the problem of the protagonist that must be resolved in the plot.

 

Thus, in a tragedy, the telic flaw of the protagonist (the problem of the protagonist) is resolved in the death of the protagonist (the telic flaw overcomes the protagonist).  A comedy is different—the protagonist overcomes the telic flaw, and that’s a problem.

 

The outcome of any comedy is known—the telic flaw is resolved.  In the ancient world, the reader (or viewer of a play) didn’t know the outcome—tragedy or comedy, and that was the excitement or entertainment in the plot.  The Greeks discovered that people like comedies, but there is a problem with comedies.  In a tragedy, the characters just die.  In a comedy, the telic flaw must be resolved.

 

The Greeks originally used a Deus ex Machina to resolve their comedies.  In a Deus ex, a god came down from the heavens (actually the roof) via a crane and used god-like powers to resolve all the problems of the protagonist.  There are an instant problem with this—it worked once, but then it got old.  The first time you try a trick to resolve the telic flaw, that’s an invention—the second time’s a bore.  So the Greeks immediately had a problem—how do you resolve the telic flaw in a comedy without a Deus ex?

 

The answer and the problem go much deeper than that—it is actually, how can we resolve the expected when it is already expected?

 

I’ll write more tomorrow.

For more information, you can visit my author site www.ldalford.com/, and my individual novel websites:

http://www.ancientlight.com

www.aegyptnovel.com

http://www.sisteroflight.com

http://www.sisterofdarkness.com

www.centurionnovel.com

www.thesecondmission.com

www.theendofhonor.com

www.thefoxshonor.com

www.aseasonofhonor.com

fiction, theme, plot, story, storyline, character development, scene, setting, conversation, novel, book, writing, information, study, marketing, tension, release, creative, idea, logic

Advertisements

About L.D. Alford

L. D. Alford is a novelist whose writing explores with originality those cultures and societies we think we already know. His writing distinctively develops the connections between present events and history—he combines them with threads of reality that bring the past alive. L. D. Alford is familiar with technology and cultures—he is widely traveled and earned a B.S. in Chemistry from Pacific Lutheran University, an M.S. in Mechanical Engineering from Boston University, a Ph.D. in Aerospace Engineering from The University of Dayton, and is a graduate of Air War College, Air Command and Staff College, and the USAF Test Pilot School. L. D. Alford is an author who combines intimate scientific and cultural knowledge into fiction worlds that breathe reality. He is the author of three historical fiction novels: Centurion, Aegypt, and The Second Mission, and three science fiction novels: The End of Honor, The Fox’s Honor, and A Season of Honor.
This entry was posted in Uncategorized and tagged , , , , , , , , , , , , , , , , , , , . Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s