28 July 2018, this blog is about writing in scenes. I’m focusing on the tools to build scenes. I’ll leave up the parts of a novel because I think this is an important picture for any novelist. I’m writing about how to begin and write a novel.
- The initial scene
- The rising action
- The Climax
- The falling action
- The dénouement
Announcement: I need a new publisher. Ancient Light has been delayed due to the economy, and it may not be published. Ancient Light includes Aegypt, Sister of Light and Sister of Darkness. If you are interested in historical/suspense literature, please give my novels a try. You can read about them at http://www.ancientlight.com. I’ll keep you updated.
Today’s Blog: The skill of using language comes from the ability to put together figures of speech that act as symbols in writing.
Short digression: back in the USA.
Here are my rules of writing:
- Entertain your readers.
- Don’t confuse your readers.
- Ground your readers in the writing.
- Don’t show (or tell) everything.
4a. Show what can be seen, heard, felt, smelled, and tasted on the stage of the novel.
- Immerse yourself in the world of your writing.
Creativity is the extrapolation of older ideas to form new ones or to present old ideas in a new form. It is a reflection of something new created with ties to the history, science, and logic (the intellect). Creativity requires consuming, thinking, and producing.
Here is the beginning of the scene development method from the outline:
- Scene input (comes from the previous scene output or is an initial scene)
- Write the scene setting (place, time, stuff, and characters)
- Imagine the output, creative elements, plot, telic flaw resolution (climax) and develop the tension and release.
- Write the scene using the output and creative elements to build the tension.
- Write the release
- Write the kicker
First step of writing—enjoy writing. Writing is a chore—especially if you don’t know what you are doing, and you don’t know where you are going. Let me help you with that.
How do we gain the skills to write well? Let’s begin with reading. Reading allows us to understand the following:
- What a novel is.
- How a novel is constructed.
- How a novel is entertaining.
- How a novel is written.
- How novels have evolved.
- Different genre in novels.
If we understand what makes a novel entertaining, we can move on to how a novel is written.
This idea incorporates significant concepts about writing. First of all, the author must be a skilled reader. Second, the author must be a skilled writer. Third, the author must have an idea. Forth, the author must have the discipline to write a novel.
The next step is the discipline to write. Part of that is motivation to write. My motivation comes with a creative idea.
So, this is what I need to write about again for you: scenes and the writing plan for a novel. Novels are written in scenes. Therefore, if you want to write a novel, you need to be able to write good scenes, and you need a plan to write your novel’s scenes.
This is a scene outline:
- The initial scene.
- The rising action scenes.
- The climax scene.
- The falling action scene(s).
- The dénouement scene(s).
The resolution of a comedy and a tragedy are known from the initial scene—the author must resolve the telic flaw. The telic flaw is revealed at the very beginning. The expectation if that the telic flaw must be overcome by the protagonist in a comedy and the telic flaw must overcome the protagonist in a tragedy.
Since the resolution of the novel is known from the beginning, the author must figure out some means to unexpectedly resolve the telic flaw. This is called the unexpected expected. This type of resolution almost always follows the same plot path. You can imagine, there are likely unlimited or infinite potential unexpected expected resolutions for any telic flaw, but almost every novel unfolds in some way like this.
First, the author states the telic flaw of the protagonist and the plot in the initial scene and begins to build up the tension of the telic flaw through the revelation of the protagonist. All novels are a revelation of the protagonist, so this is pretty normal.
Second, the author reveals through the revelation of the protagonist that the resolution of the telic flaw is impossible. Usually, as this is happening, the author begins to hint at potential or possible means to resolve the telic flaw. This always accompanies the revelation of the protagonist. In most cases, the protagonist and his or her affiliations are somehow hinted or begin to build toward some potential resolution. The resolution always remains (or is assumed to be) impossible within the context of the plot.
Third, the author reveals tantalizing stepping stones that might allow the resolution of the telic flaw, but that are usually incomplete or inconclusive.
Forth, in the climax, the elements of the rising action that pointed to the resolution of the telic flaw all come together in a reasoned and logical fashion. The most perfect climax occurs where the unexpected expected is realized just prior or just at the moment of the climax such that the reader expresses, I knew it, I knew it and yet really didn’t fully comprehend the resolution until the moment of the climax.
Much of this might seem subjective—and due to the infinite possibilities, perhaps it is. I’ll try to explain this in better detail.
I’ll write more tomorrow.
For more information, you can visit my author site www.ldalford.com/, and my individual novel websites:
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